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Furnitures

Black-stained pear wood veneer on pine, with carved and gilded parts and with maple-wood and metal inlay. The upholstery is later.
Settee: 95 x 153 x 59 cm; armchairs: 81 x 70 x 58 cm
Inv. no.: 53.2082.1; 53.2081. 1-2
(Room 24, Nos. 9-11)

 

SUITE OF FURNITURE (SETTEE, 2 ARMCHAIRS)
Sebestyén Vogel (c.1779–1837), Pest, c. 1810

In Central Europe the Empire style developed under the influence of French court art and English middle-class "Neoclassical" art alike. In this region a more livable and comfortable version became established.

The above suite is veneered in black-stained pear wood rather than in the ebony that was customary in Western Europe. It is embellished not by the splendid gilded-bronze fittings found on French furniture, but by partly bronze-coloured, partly gilded carved lion’s-paw legs and herm-embellished arm supports.

Researchers generally consider furniture similarly embellished to be the work of the Vogel concern in Pest. In 1805 Sebestyén Vogel received a permit to establish a "factory", and shortly afterwards he opened depots in the Hungarian towns of Debrecen, Kassa (today: Kosice, Slovakia), Nagyvárad (today: Oradea, Romania), Szeged, and Temesvár (today: Timişoara, Romania). Cabinetmakers, designers, sculptors, lathe-operators, gilders, upholsterers, braiders, copper and bronze workers, glaziers, and even piano makers worked in Vogel's factory. According to an advertisement placed in the Hungarian newspaper Magyar Kurir, French and English designs, too, were used in his factory.

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