Church choir-stalls (stalla) are among the most impressive relics of 17th-century furniture art in Hungary. These were rows of seats - placed on either side of the chancel or choir - that served to accommodate singers and clergy. The individual seats were separated by armrests joined to the high back; above the seats there were baldachins or an entablature. Prie-dieux supplied with shelving were joined to the seating. A choir-stall could contain one or more rows of seats.

Two of the earliest and finest works of Renaissance furniture art outside Italy are the Nyírbátor choir-stalls. These were made in a workshop directed by the Italian craftsman Marone where Hungarian joiners, too, were employed.

The choir-stall shown in the Museum was made more than a century after the Nyirbátor choir-stalls. Bearing the year 1620 on its entablature, it formerly graced the main parish church at Körmöcbánya. This piece of furniture is embellished with inlay and carvings made from ash, maple and dark-stained walnut.

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